| Front Cover |
Actor |
Back Cover |
|
| DMX |
|
| Steven Seagal |
|
| Bill Duke |
|
| Jill Hennessy |
|
| Anthony Anderson |
|
| Isaiah Washington |
|
| Michael Jai White |
|
| Tom Arnold |
|
| Bruce McGill |
|
|
|
|
| Movie Details |
| Genre |
Action; Crime; Drama; Thriller |
| Director |
Andrzej Bartkowiak |
| Producer |
Joel Silver; Dan Cracchiolo |
| Writer |
Richard D'Ovidio; Ed Horowitz |
| Studio |
Warner Bros. |
|
| Language |
English |
| Audience Rating |
R |
| Running Time |
1 hr 41 mins |
| Country |
USA |
| Color |
Color |
| IMDb Rating |
5.1 |
|
| Plot |
They should name a street or building after Detroit detective Orin Boyd (Steven Seagal). Instead, days after single-handedly throttling an army of political assassins, he's busted to white-gloved traffic cop. Someone wants Boyd out of the way, someone who should follow this advice: call for backup.
Steven Seagal and DMX kick it up a notch in this searing action thriller from producer Joel Silver (The Matrix) that has them joining forces in a battle against police corruption. Andrzeg Bartkowiak (Romeo Must Die) directs, fusing starpower (including Isaiah Washington, Jill Hennessy and Tom Arnold), firepower and road-burning horsepower into scenes that push the action tachometer into the red zone. |
| Personal Details |
| Seen It |
Yes |
| Index |
1779 |
| Collection Status |
In Collection |
| Purchase Date |
6/16/2007 |
| Store |
WalMart |
| Links |
DVD Empire
IMDB
Amazon US
|
|
| Product Details |
| Format |
DVD |
| Region |
Region 1 |
| Screen Ratio |
Widescreen 2.35:1 Color (Anamorphic) |
| Layers |
Single Side, Dual Layer |
| UPC (Barcode) |
085392106929 |
| Chapters |
32 |
| Release Date |
2/14/2006 |
| Subtitles |
English; French; Spanish |
| Packaging |
Snap Case |
| Audio Tracks |
ENGLISH: Dolby Digital 5.1 [CC]
FRENCH: Dolby Digital 5.1 |
| Nr of Disks/Tapes |
1 |
|
|
Extra Features
|
Behind-The-Scenes Documentary The Making Of Exit Wounds
DMX No Sunshine Music Video
A Day On The Set With Anthony Anderson
Interactive Menus
Theatrical Trailer
Scene Access
|
|